论莫言文学的恶之美怪诞  

On the Evil Beauty Grotesque of Mo Yan Literature

作　　者：刘法民[1] LIU Famin(Literature Department, Nanchang Normal University, 330032, Nanchang, Chin)

机构地区：[1]南昌师范学院中文系,南昌330032

出　　处：《北方工业大学学报》2017年第6期56-60,94,共6页Journal of North China University of Technology

基　　金：国家社科基金后期资助项目"莫言文学中怪诞审美形态功能价值研究"(16FZW046)

摘　　要：莫言文学的恶之美怪诞由凶恶与良善两种形象直接对接构成,形式极为特殊。恶之美怪诞在莎士比亚、波德莱尔作品中萌芽,在鲁迅作品中形成,由莫言开始大量制作应用。恶之美怪诞只能在想象性的文学中存在,人对恐怖厌恶与喜爱愉悦之间激烈冲突情感体验的主动追求,是恶之美怪诞产生的根本原因。The evil beauty grotesque in Mo Yan’s work consists of two direct opposing characteristics,goodness and evilness,which is extremely special.The evil beauty grotesque sprouted from the works of Shakespeare and Baudelaire,took shape in Lu Xu’s,and was massively produced by Mo Yan.The evil beauty grotesque can only exist in imaginative literature.The root cause of the evil beauty grotesque is people’s active pursuit of intense emotional experience conflict between the pleasure for fondness and the disgust at terror.

关 键 词：莫言 怪诞 恶之美怪诞 

分 类 号：B835[哲学宗教—美学]