泰州学派“百姓日用”美学的当代审视  

The “Baixingriyong” of the Taizhou School Aesthetics and Contemporary Survey

作　　者：邵晓舟[1] 

机构地区：[1]扬州大学文学院,江苏扬州225009

出　　处：《沈阳工程学院学报（社会科学版）》2018年第1期26-32,47,共8页Journal of Shenyang Institute of Engineering:Social Science

基　　金：国家社科基金课题(15BZX122);江苏省社科基金课题(14ZWB006)

摘　　要：在泰州学派美学理论中,"百姓日用"这个极富平民色彩的范畴是美的本体。可置于当代美学视野的某些视角之下进行深入审视,考察其对生存美学的呼应、对伦理美学的延展以及对行动美学的践行。泰州学派认为,"百姓日用"生存生活本身可化为最宏大悠远的审美创造产物和审美欣赏对象,其审美境界恰恰也是伦理道德的最高境界,人们可通过"百姓日用"的生存生活实践塑造理想人格的典范,进而将整个世界改造成符合儒家审美理想的唐虞盛世。In aesthetics of the Taizhou School,＂Baixingriyong＂is a very important category.＂Baixingriyong＂is the noumenon of the beauty. From the perspective of contemporary aesthetics,＂Baixingriyong＂relates to aesthetics of existence,aesthetics of ethics and aesthetics of action.＂Baixingriyong＂is the product of aesthetic creation and the object of aesthetic appreciation. The aesthetic realm of＂Baixingriyong＂is the highest moral realm. The practice of＂Baixingriyong＂shapes healthy personality and creates the best world of the Confucianists.

关 键 词：泰州学派 “百姓日用” 美学 

分 类 号：I01[文学—文学理论]