转场中的“在场”:李娟“非虚构”写作中民俗文化的呈现——以《羊道》系列散文为例  

The Presence of Transition:Demonstration of Folk Culture in Li Juan's Non-fiction Writing——Taking Sheep Path Series as an Example

作　　者：郑亮[1] 毕瑞 

机构地区：[1]石河子大学文学艺术学院,新疆石河子832003

出　　处：《石河子大学学报（哲学社会科学版）》2018年第1期106-111,共6页Journal of Shihezi University(Philosophy and Social Sciences)

基　　金：国家社科基金项目"生态批评视野下新疆新时期以来少数民族作家创作研究"(12XZW036)

摘　　要：新疆散文作家李娟以"非虚构"的姿态呈现出哈萨克族牧民的转场活动,不仅完成了对该地区民俗文化的呈现,也在直面社会民生等诸多问题的基础上,不断进行反思和追问,表达了自身对传统文化在现代化的冲击下将何去何从的焦虑和责任感。可以说,这种"非虚构"视角下的基于"田野调查"的在场性写作,在作品《羊道》系列散文中反映得最为明显。By taking a non-fictional attitude, Li Juan, a famous essay writer in Xinjiang, shows the Kazakh nomadic people＇s transition activities, not only showing the folk culture of the region but also showing his continuous reflection and questioning based on facing such problems as livelihood. Her works expresses the anxiety and sense of responsibility for the future of traditional culture under the impact of modernization. It can be said that this kind of presence writing of non-fiction perspective based on ＂field investigation＂is reflected mostly in his Sheep Path series of essays.

关 键 词：转场 在场 非虚构 民俗文化 

分 类 号：I206.7[文学—中国文学]