图画与观念——关于迈克尔·巴克森德尔《意图的模式》的几个问题  

On the Drawing and Concept——Some Questions on Michael Baxandall's Patterns of Intention

作　　者：戴丹[1] DAI Dan

机构地区：[1]南京艺术学院美术学院,江苏南京210013

出　　处：《艺术探索》2018年第2期61-71,共11页Arts Exploration

基　　金：2016年度国家社会科学基金艺术学一般项目"20世纪欧美艺术史学史"(16BA016);2016年度江苏省社会科学基金项目"欧美艺术史学史与方法论研究"(16YSD003)

摘　　要：自20世纪70年代起,欧美艺术史学界针对艺术史的传统研究方法进行了反思和批判。在这个大背景下,英国艺术史家迈克尔·巴克森德尔于1985年出版了专著《意图的模式》。巴克森德尔通过对古希腊修辞法艺格敷词的分析,指出语言在对图像进行直接描述过程中的局限性,提出在艺术史研究中应该使用间接性的语词。巴克森德尔创造性地将结构人类学的研究成果运用到艺术史研究中,提出了"时代之眼""认知风格"等概念,探索了图画的视觉特征与其所处文化中由语言建构的智性系统之间的关系,试图解决以下两个问题:一是如何将语言和艺术品的视觉特征进行匹配,二是如何阐释艺术品的视觉特征与其历史情境之间的关系。Since 1970s, European and American academic circles of art history have conducted rethinking and criticizing on the traditional research methods of art history. In this context, the British art historian Michael Baxandall published the monograph Patterns of Intention in 1985. Baxandall pointed out the limitation of language in the direct description of the image by analyzing the rhetoric of the Greek Ekphrasis, and proposed that indirect words should be used in the study of art history. Baxandall creatively applies the research results of structural anthropology to the study of art history and puts forward such concepts as ＂the eye of the times＂ and ＂cognitive style＂, explores the relationship between the visual features of the picture and intellectual systems constructed by language within its culture, then he attempts to solve the following two problems： the first one is about how to match the visual features of language and artwork, and the second one is about how to explain the relationship between the visual features of art works and its historical context.

关 键 词：迈克尔·巴克森德尔 艺术史学史 视觉观念 图画风格 

分 类 号：J0[艺术—艺术理论]