文化危机与现代焦虑:一种批判理论视角  

作　　者：辛楠[1] 

机构地区：[1]中国矿业大学文法学院

出　　处：《文化研究》2017年第2期184-195,共12页Cultural Studies

基　　金：本论文为国家社科基金项目“现代焦虑体验的美学研究”(11CZW011);江苏省教育厅社科项目“文学与空间关系研究”(2014SJD416)阶段性成果之一

摘　　要：文化危机与现代焦虑问题是现代社会发展中的一种普遍现象和文化问题。批判理论为深入分析文化危机和现代人的焦虑提供了一种新的视角。恐惧、焦虑体验是启蒙自身的产物,是启蒙吊诡式存在的情感根基,与启蒙以来的文化危机形影相随。一方面,它是在文化工业的迷雾中自我主体的反思形式,是主体渴望逃离文化危机的征兆,另一方面是现代人解决生存危机和寻找审美启蒙的内在驱力,是审美乌托邦世界的建构性力量,也是应对工具理性对人的压制的渴望性和反抗性力量。The problem of cultural crisis and modern anxiety is a com- mon phenomenon in the development of modern society. Critical theory pro- vides a new perspective for analyzing the cultural crisis and the anxiety of modern men further. Fear and experience of anxiety are products of enlighten- ment, the emotional foundation of the enlightment paradox which has coexis- ted with the cultural crisis like its shadow since the enlightenment. On the one hand, it is the reflection of self in the context of the perplexing cultural in- dustry, a symptom that the subject is eager to escape from the cultural cri-sis. On the other hand, it is the inner drive that modern men the survival crisis and find the aesthetic enlightenment, the applies to solve constructlvlsm strength of the aesthetic utopia world, and the desire and the resistance force that responds to the repression of the instrumental reason

关 键 词：文化危机 焦虑体验 批判理论 审美乌托邦 

分 类 号：G02[文化科学]