北宋《西铭》诠释模式述论  

On the Interpretation Mode of Western Inscription In Northern Song Dynasty

作　　者：曹树明[1] CAO Shu-ruing(Philosophy Department, Shanxi Normal University, Xi＇an 710119 ,Chin)

机构地区：[1]陕西师范大学哲学系,陕西西安710119

出　　处：《齐鲁学刊》2018年第2期27-31,共5页Qilu Journal

基　　金：国家社科基金重大项目"宋明道学核心价值研究"(15ZDB008)

摘　　要：围绕《西铭》的诠释,北宋儒者至少形成了四种典型模式:以吕大临为代表的"人道具则天道具"的诠释模式、以程颢为代表的"仁孝之理"的诠释模式、以程颐为代表的"理一分殊"的诠释模式和以张九成为代表的"心性即天地"的诠释模式。反诸这些诠释者的理论体系可知,吕大临之诠释模式的建构与其理论重心转向人道之修养工夫有关,二程之诠释模式的差异根源于二人之宇宙论的不同,张九成之诠释模式的提出则关联于其对心体的挺立。然而,他们用一个统领性命题去统摄《西铭》多维度的义理意涵,也存在逻辑上不周延的缺点。There are at least four kinds of modes in Northern Song dynasty as for the interpretation of Western Inscription.They are,with way of man is with way of heaven represented by Lv Dalin,principle of ren and filial piety represented by Cheng Hao,the principle is one but its manifestations are many represented by Cheng Yi,mind-nature is heaven-earth represented by Zhang Jiucheng.While looking backward into their entire theoretical system,we can find reasonable grounds for their interpretation modes respectively.However,their summarizations of the meaning of Western Inscription by a leading proposition can not govern its multi-dimensional intensions.

关 键 词：北宋 《西铭》 诠释模式 

分 类 号：B244[哲学宗教—中国哲学]