莲生何处:王勃《采莲赋》与咏物赋写作模式研究  

Where Should Lotuses Grow:A Study in Wang BO's Fu Work Picking Lotuses and Writing Patterns of Object-Praising Fu

作　　者：李栋[1] LI Dong(Chinese Department , Fudan University ,Shanghai 200433 ,China)

机构地区：[1]复旦大学中文系,上海200433

出　　处：《齐鲁学刊》2018年第2期116-123,共8页Qilu Journal

摘　　要：莲花是六朝时常见的咏物赋题材,此类赋的写法在六朝也有一个基本固定的模式。而初唐作家王勃遍览前人赋作后,在其《采莲赋》中提出了"莲生何处"的疑问,并且打破了原有的宫廷化的写作模式。这反映了中国古代文学由六朝向唐宋转变的过程中,创作的主体和场域都发生了"由宫廷到江湖"的转变,因此赋体的写作手法也随之变化。Lotus was frequently used as a theme in Fu works during the Six Dynasties（the 3 rd-6 th century in ancient China）.Under court culture influence,these Fu works were basically written in a regular pattern.When Wang Bo read these works in the Early Tang（the 7 th-early 8 th century in ancient China）,he raised a new question as＂where should lotuses grow＂and broke the regular pattern when writing his own Fu work Picking Lotuses.It shows that things about creation were changing during this period——Fu was practiced mainly in court circles until the early7 th century,but in the 8 th century a wild range of literate persons became authors,formulas for creation changed accordingly.

关 键 词：王勃 《采莲赋》 咏物赋 宫廷 写作模式 

分 类 号：I207.2[文学—中国文学]