当代文艺学研究:在本质论与存在论之间  

The Study of Contemporary Literary and Artistic Theory:Between Essential Theory and Ontology

作　　者：赖大仁[1] LAI Daren

机构地区：[1]江西师范大学文学院,当代形态文艺学研究中心

出　　处：《学术月刊》2018年第6期104-112,共9页Academic Monthly

基　　金：国家社科基金重点项目“当代文学理论观念的嬗变与创新研究”(12AZW004)的阶段性研究成果

摘　　要：当代文艺学研究中的“本质论”与“存在论”是不同的理论观念和研究思路，各有其特点和意义价值。“本质论”文艺学有其形成的历史渊源和理论意义不应当终结，而“反本质主义”的滥用和扩大化则容易导致虚无主义并带来文艺学的“自我迷失”。“本质论”与“存在论”的研究未必有好坏优劣之分，更不是非此即彼、互不相容，不同研究思路之问可以彼此互补。应当重新认识“本质论”文艺学研究的意义价值，以应有的历吏性态度对过去的研究进行理论反思，获得历史启示与借鉴。当代文艺学研究应当坚持在实践论基础上，寻求合规律性与合目的性统一、认识论与价值论统一、知识论与功能论统一，推动当代文艺学创新发展。在这种理论诉求上，“本质论”与“存在论”文艺学研究彼此相通。The theories of ＂essential theory＂ and ＂ontology＂ are different theoretical concepts and research approaches in contemporary literary and artistic study, and each has its own characteristics and values. The essential theory of literary and artistic theory has its historical origin and theoretical significance, and should not be terminated. Too much abuse and expansion of anti-essentialism can lead to nihilism, and bring ＂self lost＂ in literary and artistic theory. The study of essential theory and ontology is not good or bad, and neither is incompatible with each other. Different research ideas can complement each other. We should reconsider the value of ＂essential theory＂ in literary and artistic study, and rethink the past studies with the proper historical attitude, so as to gain historical inspiration and reference. The study of contemporary literature and art should be based on the theory of practice, seeking unity of regularity and purpose, unity of epistemology and axiology, and the unity of epistemology and functional approach, and promoting the innovation and development of contemporary literature and art. In terms of this theoretical appeal, ＂essential theory＂ and ＂ontology＂ should be interlinked.

关 键 词：当代文艺学 本质论 存在论 本质主义 反本质主义 

分 类 号：I0[文学—文学理论]