湘西苗族花鼓舞“非遗”传承人的身份认同  

Identity of the Inheritor of Huagu Dance of Miao Ethnic Group

作　　者：吴丹[1] WU Dan(School of Humanities, Shenzhen Institute of Technology, Shenzhen 518055, China)

机构地区：[1]深圳职业技术学院人文学院,深圳518055

出　　处：《北京舞蹈学院学报》2018年第2期32-37,共6页Journal of Beijing Dance Academy

基　　金：广东省哲学社会科学"十二五"规划项目<国家级"非遗"舞蹈"主体性"文化传承区的建构>(项目编号:GD15DL19)阶段成果;广东省高等职业教育教学改革项目<"非遗"传统舞蹈纳入<舞蹈欣赏>课程研究>(项目编号:201401219)阶段成果

摘　　要：身份认同是社会结构与个体能动性共同作用,而达到的期望与被期望的多重角色形貌,包含对应关系的角色扮演、情感参与的身体动作变换等。通过分析湘西苗族花鼓舞传承人,尤其是龙英棠、石顺明两位为例,阐述族群文化与个体生命认知互动所形成身体舞蹈语汇的差异性,分析传承人作为族人、演员、鼓王等角色时的身份角色话语,提出研究"非遗"民间舞蹈传承人的身份认同,或有助于研究和尊重传承人个体能动性的存在,推动"非遗"民间舞蹈的传承实践。Identity refers to the expecting and expected multiple roles resulting from interaction between social structure and individual action. It involves role play,emotional participation and body movement of corresponding relationships. The paper presents a case study of the Xiangxi Miao Flower Drum Dance inheritors represented by Long Yingtang and Shi Shunming,analyzing the identity discourse of inheritors as a member of the ethnic group,a performer and a drum master through the different body dance idioms formed under the interaction between ethnic culture and individual life cognition. This study of the identity of folk dance（ intangible cultural heritage） inheritors may help to explore and respect the existence of the individual action of inheritors,and promote the inheritance practice of folk dance（ intangible cultural heritage）.

关 键 词：身份认同 传承人 身体 湘西苗族花鼓舞 

分 类 号：J722.2[艺术—舞蹈]