自然审美何以可能?——论米歇尔·亨利的自然美学观  

Possibility of Natural Aesthetic: An Illustration of Michel Henry's Natural Aesthetics

作　　者：梁灿 王冬[2] 

机构地区：[1]武汉大学哲学学院,湖北武汉430072 [2]西藏大学政法学院,西藏拉萨850000

出　　处：《郑州大学学报（哲学社会科学版）》2018年第3期10-14,共5页Journal of Zhengzhou University:Philosophy and Social Sciences Edition

摘　　要：现象性是米歇尔·亨利自然美学的一个立足点。他认为,自然可以在内在性与外在性这两种现象性中呈现自身,因而呈现出两种截然不同的样态:一种是外在的自然,另一种是内在的自然。内在的自然就是活生生的感性印象。自然审美和艺术审美都仅仅与内在性(生命)有关,而与外在性无关。自然审美与艺术审美来自同一个源头——内在性,两者是同一的。亨利进一步追问了自然和艺术的本质,认为两者都是生命赖以运动、发展和不断丰富自身的方式。Taking phenomenality as the foothold,Michelle Henry's natural aesthetics believes that nature can present itself in two kinds of phenomena,which are internality and externality,and thus present two distinct forms: the external nature and the internal nature. The internal nature is a living emotional impression. Both natural and artistic aesthetics are only related to internality( life) instead of externality. Natural aesthetics and artistic aesthetics come from the same source--internality,and they are the identical.Henry further questioned the essence of nature and art,believing that both of them are ways in which life moves,develops,and improves.

关 键 词：米歇尔·亨利 现象性 自然审美 艺术审美 环境美学 

分 类 号：B834.2[哲学宗教—美学]