“文学是人学”的理论建构与观念博弈  

Construction and Controversy on the "Literature Is Humanism" Theory

作　　者：张慎[1] ZHANG Shen(School of Chinese Literature, Datong University, Datong, Shanxi 037009, Chin)

机构地区：[1]大同大学文学院,山西大同037009

出　　处：《中国石油大学学报（社会科学版）》2018年第3期75-81,共7页Journal of China University of Petroleum (Edition of Social Sciences)

基　　金：大同大学博士科研资助项目(2016-B-26)

摘　　要：1985年后,刘再复的"文学的主体性"理论承继1980年代前期的人道主义、异化观念,系统建构了以人为中心的文学理论研究体系。而西方现代人本主义的传播,又使李劼等青年批评家表现出与刘再复不同的"人学"视野,提出了"文学是人学新论",与刘再复的古典人道主义立场形成了分歧。与此同时,1980年代前期人道主义论争中的人道主义/马克思主义的分歧也延续下来,演化为陈涌等人对刘再复的理论批判。而这一时期渐渐萌蘖的后现代主义观念所宣布的"人的死亡",则对"文学是人学"的理论建构造成了新的解构。After 1985,following the humanism and alienation theory of the early 1980 s,Liu Zaifu’s ＂ human subjectivity in literature＂ theory systematically constructed the people-oriented literary theory. With the spreading of Western Modern Humanism,Li Jie and other young critics put forward the new theory of ＂ literature is humanism＂,which is different from Liu Zaifu’s classical humanism values. At the same time,the divergence between Humanism and Marxism in the early 1980 s also continued,which was shown in Chen Yong and other critics’ criticism on Liu Zaifu’s theory. The Postmodernism that sprouted gradually in this period announced ＂ the death of human＂ and brought new deconstruction to the theory of ＂ literature is humanism＂.

关 键 词：文学的主体性 马克思主义文艺理论 现代人本主义 后现代主义 

分 类 号：I0-02[文学—文学理论]