北京人艺《人民公敌》的“表演技术”——显性的表演行为重建  

“The Performing Techniques” of An Enemy of the People: a Restoration of Dominant Performance

作　　者：俞建村[1] 

机构地区：[1]上海戏剧学院

出　　处：《戏剧（中央戏剧学院学报）》2018年第3期69-78,共10页Drama:The Journal of the Central Academy of Drama

摘　　要：2016年5月北京人民艺术剧院上演了挪威剧作家易卜生的《人民公敌》。本文以北京人艺的《人民公敌》为探讨对象,研究发现,为了舞台艺术的创新性发展,以及满足北京观众舞台艺术欣赏水平不断提高的要求,《人民公敌》偶遇地遵循了理查·谢克纳的表演行为重建理论1-3-5a-5b模式,以及创作的显性技巧,凸显了《人民公敌》剧组的"表演技术"和精神追求,赢得了观众的喜欢。An Enemy of the People, written by the Norway dramatist Ibsen, was staged by the Beijing People＇s Art Theatre in May 2016. This paper looks into the performance and concludes that to cater to a desire for novelty of the Beijing audience, An Enemy of the People has by accident followed the 1-3-5a-5b model of restoration of performance and the dominant skills of stage creation established by Richard Schechner, which highlights ＂the acting techniques＂ and artistic pursuit of the theatrical group, and finds favor with the audience.

关 键 词：人民公敌 谢克纳 表演行为重建 显性 

分 类 号：J83[艺术—戏剧戏曲]