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作 者:陈光锐[1] CHEN Guang-rui(Journal Editorial Department, Chuzhou Vocational and Technical College, Chuzhou 239000, Chin)
机构地区:[1]滁州职业技术学院学报编辑部,安徽滁州239000
出 处:《太原学院学报(社会科学版)》2018年第2期54-58,共5页Journal of Taiyuan University(Social Science Edition)
基 金:安徽省高校优秀中青年骨干人才国内外访学研修重点项目(gxfx ZD2016344)
摘 要:唐代献赠挽歌主要是为悼亡而作,在丧礼上被吟唱,是丧礼仪式的一个组成部分,实用性是其主要特征,但是在唐代也存在一些非实用的挽歌诗。有些诗人借挽歌诗抒怀言志,有些诗人仿照古挽歌创作了拟古诗;还有少量挽歌作品被作为仕进之资和游戏笔墨,这些突破献赠程式的"破体"之作,其文学价值往往高于一般的献赠挽歌诗。The elegies of Tang Dynasty were written for dead people. People singed elegies as a part at funeral. Practicability is a feature of elegies. But not all of elegies were used for funeral. There were some non practicality elegies in Tang Dynasty. Some poets expressed their own motions and ambitions by elegies: some poets created some antique works by simulation: and a few elegy works were used as promotional capital of officialdom or game works. The literary value of these"irregular"works is often higher than the general elegies.
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