从“美学热”到美学的复兴——改革开放四十年美学历程探踪  

Shift from the Aesthetic Rush to the Aesthetic Revival——Exploration of Modern Chinese Aesthetic Development Since 1978

作　　者：张冰[1] 

机构地区：[1]西南大学文学院,重庆400715

出　　处：《湖北大学学报（哲学社会科学版）》2018年第4期53-60,共8页Journal of Hubei University(Philosophy and Social Science)

基　　金：国家社会科学基金重大资助项目:12&ZD111

摘　　要：自1978年改革开放以来,四十年美学发展大体经历了三个阶段:自新时期伊始到80年代中后期为美学的黄金时期,这一阶段的美学由于领风气之先,与时代需求以及艺术实践联系紧密,因而大放异彩;80年末到90年代是美学发展的相对低谷沉寂期,这一阶段的美学由于倡导学科自足,囿于象牙塔之内,因而一定程度上与社会疏离;90年代末到当下是美学复兴期,在这一阶段,文化研究为美学提供了新思路,美学领域与国际对话也出现新态势,借助一些新话题,如日常生活审美化、艺术的终结等,美学重建了与社会生活、艺术实践之间的联系。美学要进一步发展,需走出艺术的终结,在反思自身既有体系中找到发展新路径。There have been just 40 years since the Chinese government implemented the policy of reform and opening up in 1978.During this period,aesthetic theory has experienced great changes which were divided into three stages in this paper. The first stage was from the beginning of the "New Period"to the middle and later of 1980 s. During this term the development of aesthetics kept the pace with social requirements,thoughts and practice of the fine arts,and played an important role in the society. The second stage was from the end of 1980 s to 1990 s. During this term the development of aesthetics met difficult problems because its concern was limited in disciplining internal knowledge away from the social needs. The third stage is from the end of 1990 s to now. In this term there are new resources,such as cultural studies,absorbed in the development of aesthetics,and the scholars in the field of aesthetics put up more new topics,such as the aestheticization of everyday life,the end of art,etc.,which reconstructed the relation between aesthetics and art practice,social life,etc. In the end of this paper,the author suggests that the development of aesthetics must be beyond the topic of the end of art,and find its new path from its systems and the relation between life and art.

关 键 词：“美学热” 美学的复兴 思想解放 日常生活审美化 艺术的终结 

分 类 号：I01[文学—文学理论]