从文本到符号:《西游记》中的大圣形象研究  

From Text to Symbol:Study of the Image of Dasheng in Journey to the West

作　　者：吴静[1] 徐辰佳融 徐习军 WU Jing1, XU Chenjiarong3 , XU Xijun2(1. School of Art; b. Academic Periodical Press of Journal, Huaihai Institute of Technology, Lianyungang 222005, China 3. Editorial Dept. of Landbridge, Lianyungang Qiaofu Cultural Communication Co., Ltd., Lianyungang 222006, China)

机构地区：[1]淮海工学院艺术学院,江苏连云港222005 [2]连云港乔夫文化传播有限公司大陆桥网编辑部,江苏连云港222006 [3]淮海工学院学术期刊社,江苏连云港222005

出　　处：《淮海工学院学报（人文社会科学版）》2018年第8期34-38,共5页Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)

基　　金：江苏省高校哲学社会科学研究项目(2016SJD760104);江苏省高校哲学社会科学重点研究基地重大项目(2015JDXM033)

摘　　要：在百回本《西游记》文本中,孙悟空的形象经历了石猴、妖猴、狂猴、神猴到圣猴的变化,随着西游故事的广泛传播,孙悟空在民间传播过程中不断被神话,以至于形成了民间的大圣信仰和大圣崇拜。因而到了近现代,随着电影艺术等现代传播技术的发展,关于孙悟空的艺术设计形象越来越多元且丰富,当代影视、动画动漫作品中围绕大圣形象的艺术涉及广泛运用于地方文化宣传、文化艺术传播和商业广告等领域,大圣形象的价值得到了充分挖掘。In the text of Journey to the West,Sun Wukong＇s image has gone through the changes of stone monkey,demon monkey,crazy monkey,God monkey,and sacred monkey.With the wide spread of Journey to the West,Sun Wukong has been constantly mythical in the process of spreading the folk,so that it forms the folklore of Dasheng and the worship of dasheng.Thus,in modern times,with the development of modern communication technology such as film art,the image of Sun Wukong＇s art design is becoming more and more diverse and rich.The art of contemporary film and animation anime around the image of Dasheng is widely used in the fields of local culture,cultural and artistic dissemination and commercial advertising.The value of the image of Dasheng has been fully excavated.

关 键 词：《西游记》 孙悟空 大圣形象 民间崇拜 文化传播 文化符号 艺术设计 

分 类 号：I207.414[文学—中国文学]