《个体·传统与新世界——吴云龙四胡艺术研究》书评  

An Evaluation of "Individual, Tradition and New Vision ——Research of Wu Yun long's Four-string Fiddle Art"

作　　者：宋雪微 Song Xuewei(Inner Monglia Arts University,Inner Mongolia,Hhhot,10010)

机构地区：[1]内蒙古艺术学院,内蒙古呼和浩特010010

出　　处：《内蒙古艺术学院学报》2018年第2期155-160,共6页Journal of Inner Mongolia Arts University

基　　金：教育部人文社会科学重点研究基地重大项目"蒙古族传统音乐的保护与传承研究"(13JJD760001)阶段性成果

摘　　要：《个体·传统与新世界——吴云龙四胡艺术研究》一书是对蒙古族四胡大师吴云龙先生的人生史及其承载的蒙古四胡艺术的研究。作为理论与实践相结合的一部学术性专著,本书的研究特色首先在于,突破了一般意义上音乐形态和人物传记的研究方法,而是从表演艺术家个体去探究音乐文化与社会群体,以及社会变迁之间复杂的互动关联。同时,运用表演理论对蒙古族四胡音乐进行深层剖析,探究民间四胡艺人音乐表演的"套路"问题。＂Individual, Tradition and New Vision—Research of Wu Yun long＇s Four-string Fiddle Artis＂ a study of the life history of the Mongolian Sihu master Wu Yunlong and the Mongolia Four-string Fiddle Ar that he carried. As an academic monographs combined with theory and practice, the research feature of this book is to break through the research method of music form and biography in general, but to explore the complex interaction relationship between music culture and social group and social change from the individual of the performing artist. At the same time, using the theory of performance to analyze the Mongolian Four-string Fiddle Music deeply, and explore the ＂routine＂ problem of folk Fourstring Fiddle Art＇s music performance.

关 键 词：蒙古族四胡 吴云龙 人生史 套路 变迁 

分 类 号：J05[艺术—艺术理论]