何物最坚实?——弗吉尼亚·伍尔夫短篇小说《坚实的物品》主题词剖析  

What is Solid in the World?——An Analysis of the Theme Word in Virginia Woolf's Short Fiction "The Solid Objects"

作　　者：段艳丽[1] 

机构地区：[1]河北师范大学

出　　处：《语言教育》2018年第3期89-94,共6页Language Education

摘　　要："坚实的"或"坚实性"是弗吉尼亚·伍尔夫乃至整个布鲁姆斯伯里文艺圈非常重视的一个词,这个词反复出现在其作品和其他成员的美学评论中。在伍尔夫的短篇小说《坚实的物品》中,作家以美学评论家罗杰·弗莱为原型,刻画了一个痴迷于收藏物品的男子形象,其中"坚实的"一词意蕴丰富:从审美意义上来说,对美的追求会超越世俗权势而恒久存在;从人际交往的角度来看,友谊的坚固也依赖于相似的审美情趣及共同的追求;就绘画艺术而言,它指画面色彩浓郁,画家要表现的应是主观情感而非客观临摹。正是受到弗莱的启发与影响,伍尔夫将后印象派绘画中的主张运用在文学创作中,反复试验,从而突破了创作瓶颈,逐步成为现代主义文学大师。＂solid＂ （or ＂solidity＂ ） is an important word in Virginia Woolf＇s writings, as well as in the aesthetic criticism of the Bloomsbury Group, which repeatedly appears in their works. In the short fiction ＂The Solid Objects＂ , modelled on the life of Roger Fry, the writer depicts a man who is obsessed with coUeting objects. Woolf＇s treatment of the word ＂solid＂ are manifold, which conveys rich connotations： on the aesthetic layer, it refers to the enjoyment to the beautiful objects overthrowing the pursuit for the earth power; speculating on the human＇s relationship, it refers to the solidity of friendship, which originates from the same aesthetic value and the common beliefs; as a term in painting, it means the rich color, which expresses subjectivity rather than objectivity. It is under the influence of Roger Fry, Woolf applies the post-impressionist＇ s aesthetics to literature and breaks through the bottleneck of writing and gradually becomes a modernist writer.

关 键 词：审美客体 主观性 坚实的 后印象主义 

分 类 号：I06[文学—文学理论]