梁武帝书法审美精神中的道教情怀  

The Taoist Expression in theAesthetic Spirit of Emperor Liangwu's Calligraphy

作　　者：张梅 ZHANG Mei(School of Humanities,Hubei University of Chinese Medicine,Wuhan,Hubei,430064,China)

机构地区：[1]湖北中医药大学人文学院,湖北武汉430064

出　　处：《内江师范学院学报》2018年第9期85-89,共5页Journal of Neijiang Normal University

基　　金：湖北省教育厅人文社会科学研究项目(15Q108)

摘　　要：梁武帝雅好书法,在其书论当中,他推崇钟繇、张芝书法为"巧趣精细,殆同机神",偏爱草书"巧媚争呈""随态运奇"之姿,力倡"肥瘦相和,骨力相称"的书法中和审美观,并以"逸""妙"等审美范畴品评名家书风。梁武帝早年信道,受道教思想的熏陶,其书法审美思想中也流露出了道教的审美风尚。Emperor Liangwu adored calligraphy.In his relevant theories,he highly praised Zhong Yao＇s and Zhang Zhi＇s calligraphic works due to their＂elegance and exquisiteness＂,preferred to the＂ingenious and peculiar＂rapid cursive writing,and advocated the mean aesthetic＂symmetric＂calligraphy.He made comments on many masters＇ works with aesthetic taste of＂ease＂and＂ingeniousness＂.In his early years,he believed in Taoism and was deeply influenced.So,there is no wonder why his aesthetic thought about calligraphy was immersed with the Taoist fashion.

关 键 词：梁武帝 书论 审美 道教 

分 类 号：B958[哲学宗教—宗教学] J292.23[艺术—美术]