论当代宗教文化传播对书法艺术传承发展的促进  

The Promotion of Spreading Current Religious Cultures on the Inheritance and Development of Chinese Calligraphy

作　　者：陈平安 CHEN Ping-an(Art School of Silk Road,Weinan Normal University,Weinan 714099,China)

机构地区：[1]渭南师范学院丝绸之路艺术学院,陕西渭南714099

出　　处：《渭南师范学院学报》2018年第18期92-97,共6页Journal of Weinan Normal University

基　　金：陕西省教育厅专项科研计划项目:关中东部历代书画遗产研究(17JK0256);陕西省教育厅专项科研计划项目:关中地区城市景观设计中的唐文化因素研究(16JK1249);渭南师范学院人文社科一般项目:城市规划中特色文化公园设计研究--以渭南市为例(16SKYB26)

摘　　要：中国书法艺术和中国传统宗教儒、道以及佛教文化之间有着非常密切的关系,中国传统三家宗教的文化对中国书法艺术起到了重要的促进作用。传统宗教通过对书法艺术形式的利用,更为广泛地普及自身和传播文化;同时通过宗教平台和器物的适时利用,促进自身的发展,在中国传统社会中,其实用价值得到了充分发挥,在一定程度上也对自身的传承和发展起到了促进的作用;书法的审美习俗受到了宗教文化深远的影响。基于此形成的中国书法艺术审美标准与宗教思想起到的促进作用不无关系,中国书法艺术已经成为世界非物质文化遗产重要的一部分。The inheritance and development of Chinese calligraphy art have a very close connection with the Chinese traditional religions like Confucianism, Taoism and Buddhism and their cultures have played a significant role in improving Chinese calligraphy. The traditional religion can popularize itself and its culture by making use of the forms of Chinese calligraphy; as for the art of calligraphy, it can promote its development by making use of religious platforms and implements. In the traditional society in China, it has obtained full development in terms of utility value and roles and it can improve its inheritance and development to some extent. The aesthetic approach of Chinese calligraphy can be influenced by religious cultures deeply and thus the aesthetic standards of Chinese calligraphy are formed based upon this and it has a close connection with religious thoughts. With the development of times, the Chinese calligraphy has become an important part of intangible cultural heritage of the world.

关 键 词：宗教文化 书法艺术 文化遗产 传承发展 

分 类 号：J292[艺术—美术]