《所罗门之歌》中莫里森黑人观的二元对立空间解读  

The Binary Opposition of Morrison's Concepts of Blackness from the Perspective of Space in “Song of Solomon”

作　　者：王璐[1] 王绍平[1] WANG Lu;WANG Shao ping(English School,Dalian University of Foreign Languages,Dalian Liaoning 116004,China)

机构地区：[1]大连外国语大学英语学院,辽宁大连116044

出　　处：《德州学院学报》2018年第5期88-90,96,共4页Journal of Dezhou University

基　　金：大连外国语大学研究生创新项目(YJSCX2016-028)

摘　　要：《所罗门之歌》(Song of Solomon,1977)是美国黑人女作家托妮·莫里森为数不多的以男性作为主人公的作品。在这部作品中,莫里森有意呈现了众多空间上的二元对立,每一对空间对立无不饱含着她对黑人历史的认识、对现实的思考以及对黑人男性所寄予的深切期望。她认为美国黑人若想找寻文化出路,必须接受种族现实,认清自己的黑人性及美国性,只有这样才能在美国庞大的社会空间下活出一片属于美国黑人的文化乐园。奶娃由北向南文化及身份的寻觅之路,也是莫里森黑人观的建构之路。Song of Solomon （1977） is one of African American writer Toni Morrison＇s few novel with a male main character. In this novel, Morrison deliberately presents many spatial binary opposition, and ev ery spatial opposition contains her awareness of the Black history, the consideration of the reality and her deep expectation for the Black male. No matter where the African American are, if they want to find a cul rural way out, they need to accept the ethnic reality and recognize their own Blackness and Americanness. Only in this way can African American people have a paradise of the Black culture in the huge American social space. The character Milkman＇s identity seeking journey from the North to South is also Morrison＇s building of her concepts of Blackness.

关 键 词：《所罗门之歌》 二元对立 空间表征 黑人观 

分 类 号：I106.4[文学—世界文学]