中国诗学的情感本体论  

The feeling ontology in the Chinese classical poetry

作　　者：郁沅[1] 

机构地区：[1]湖北大学中文系,湖北武汉430062

出　　处：《东南大学学报（哲学社会科学版）》2002年第5期106-111,共6页Journal of Southeast University(Philosophy and Social Science)

摘　　要：中国诗学贯穿着一条主体性原则 ,它的发展过程可以分为“言志”、“主气”、“缘情”三个阶段。其中“缘情”论历时千余年 ,成为中国诗论的主导思潮 ,由此形成中国诗学的情感本体论。这一学说强调 ,在主体诸因素的综合——“心”之中 ,情感占有根本的、核心的地位 ,抽象的思理不能脱离情感而存在 ;情感是推进想象与构思的动力 ,以情写景 ,以情造景 。The subjective principle in the Chinese classical poetry study experienced three stages expressing the poet's thoughts,temperament and lyric feelings.Of the three stages,the expression of lyric feelings has developed for over a thousand years and become the main theoretical trend and the feeling ontology in the Chinese classical poetry study as well.The theory emphasizes that expressing feelings or emotions should take the fundamental and essential position,which plays the role of the 'core' among a number of subjective factors.It is believed that abstract thoughts cannot exist without emotions,and emotion is the impetus to the development of imagination and plots. In this way,with feelings a poet can describe scenes and create scenes.And the art images are subject to the expression of the poet's feelings.

关 键 词：情感 本体 以情写景 以情造景 中国诗学 

分 类 号：I207.2[文学—中国文学]