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作 者:阎怀兰[1] YAN Huailan(School of Literature, Guangdong Ocean University, Zhanjiang , Guangdong 524088, China)
机构地区:[1]广东海洋大学文学与新闻传播学院,广东湛江524088
出 处:《铜仁学院学报》2017年第1期96-99,共4页Journal of Tongren University
基 金:广东海洋大学人文社科研究项目"文化产业背景下文艺作品的审美功用"(SK1404)
摘 要:媒介作为一个多层次的集合体,对文学形象具有全面深刻的影响。媒介产业化主要是媒介资源配置和媒介产品生产的分工化、集约化、市场化。在此背景下,文学形象的特征发生了变化,功能进一步延伸和细化。文学形象的功能是以文学形象的基本特征为基础的,文学形象具有具体感性、概括性、审美意象系统性、思想性、情感性、接近生活性等特征,其中具体感性的特征在凸显。文学形象的审美功能是根本性的功能,是补偿功能、主体实现功能、娱乐功能、美育功能、商业功能等其他功能的基础,其中文学形象的商业功能越来越突出。As a multi-level aggregation, media has a comprehensive and profound influence on the literary image.Media industrialization mainly refers to the division, intensification and marketization of media resource allocation and media product production. Under this background, the characteristics of the literary image has changed and its function has been extended further and refined detailedly. Its function is based on the essential features of literary image which include specific perceptuality, generality, systematicness of aesthetic image, thoughtfulness, emotionality and closeness to life. Among those features, the specific perceptuality is most prominent. The aesthetic function of literary image is fundamental, which is the basis of other functions such as compensation, subject realization, entertainment, aesthetic education and commerce. Among them, the commercial function is becoming more and more outstanding.
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