华莱坞电影国际化生存的三重维度  

Three Dimensions of Huallywood Cinema's Global Existence

作　　者：邵培仁[1,2] 周颖[1] SHAO Peiren;ZHOU Ying

机构地区：[1]浙江大学传播研究所 [2]浙江大学传媒与文化产业研究中心

出　　处：《湖南师范大学社会科学学报》2017年第2期1-7,共7页Journal of Social Science of Hunan Normal University

基　　金：国家社会科学基金艺术学重大招标项目“‘中国梦’影视创作与传播策略研究”(15ZD01);浙江省社会科学重点研究基地--传播与文化产业研究中心、浙江省重点创新团队--国际影视产业发展研究中心课题“华莱坞电影理论研究:以国际传播为视维”(ZJ14Z02)

摘　　要：华莱坞电影理念的提出,无疑构成了新世纪以来华人电影研究与电影产业发展走向现代化的一股独具反思性与批判性的力量。当前也有越来越多的中外电影学者纷纷将目光投向了东方的华莱坞,期待着华莱坞电影理念的创新之举能为民族电影工业和海外电影产业的发展带去各自希冀的启发与灵感。鉴于此,文章从地理、文化与生态的三重维度出发结合媒介地理学理论、媒介生态学理论等探索华莱坞电影的国际化生存之道,以重建华莱坞电影与地理的亲缘关系、重振华莱坞电影与文化的诗性色彩、重启华莱坞电影与生态的审美共识。Once put forward,the notion of Huallywood cinema undoubtedly constitutes a kind of reflective and critical power for Chinese film studies and the movie industry to develop towards modernization. Nowadays,more and more Chinese and foreign scholars cast their eye on Huallywood films,hoping that the innovative notion of Huallywood cinema would bring forth enlightenment and inspiration for the development of national movie industry and overseas movie industry. In light of this,this thesis explores into the way of global existence of Huallywood films from the three dimensions of geography,culture,and ecology and in combination with the theory of Media Geography and that of Media Ecology,so as to rebuild the relations between film and geography,culture and ecology.

关 键 词：华莱坞电影 媒介地理 跨文化 媒介生态 传统文化 

分 类 号：J943[艺术—电影电视艺术]