文学创作美学的“天”“地”“人”三维度  

Dimensions of “Heaven”“Land” and “Human Being” of Literary Creative Aesthetics

作　　者：柳倩月[1] LIU Qianyue(School of Literature and Media, Hubei Minzu University, Enshi, Hubei 445000, China)

机构地区：[1]湖北民族学院文学与传媒学院,湖北恩施445000

出　　处：《广西科技师范学院学报》2017年第1期1-3,22,共4页Journal of Guangxi Science & Technology Normal University

摘　　要：文学创作美学中存在"天""地""人"三个维度,它们分别指向作家的审美理想、审美基础、审美见解。作家的审美理想需以敬畏之心坚守,以遵循天性的文学态度去维护;作家的审美基础来源于生活积累和文学素养,而文化寻根和地域化写作是两种突出的表现;作家的审美见解,与"文学是人学"这一基本命题相关,与"为天地立人心"的文学写作宗旨相关,而以人类的命运为核心的人类学写作也已成为当今文学创作的新潮流。The three dimensions of“Heaven”“Land"and“Human being”exist in literary creative aesthetics,which refer to the writer’s aesthetic ideal,aesthetic foundation,aesthetic opinions.The aesthetic ideal needs to stick with a sense of awe,and to be maintained by following the natural state;Aesthetic basis comes from life experience and literary attainments embodied in culture roots and regional writing;Aesthetic opinion is closely related to“literature equals human science”,and“human heart”for the purpose of literary writing.Anthropological writing also became the new trend in today’s literary creation.

关 键 词：文学创作 审美理想 审美基础 审美见解 

分 类 号：I04[文学—文学理论]