“超越性”在中国当代艺术界的缺失  

“Transcendence” Absent in China's Contemporary Art World

作　　者：刘礼宾 岳中生[2] Liu Libin;Yue Zhongsheng

机构地区：[1]中央美术学院美术学研究所 [2]中国民航大学

出　　处：《天津美术学院学报》2016年第11期80-89,共10页Northern Art:Journal of Tianjin Academy of Fine Arts

摘　　要：本文重提的"超越性",实际是作者对当代艺术再次梳理和反思的过程中所理出的当代艺术发展的可能性线索。现代艺术发展的背景、当代艺术的纷繁现象、艺术家的身份都结合现象得以论及。艺术史、艺术理论、艺术评论的各个层次,也由于作者在这些层面的广泛涉猎而有所展现。中国当代艺术怎么来,到哪里去,作者书写了一些方向。The issue of 'transcendence' readdressed in this paper is, in fact, a possible clue that the author draws through a reexamining effort to developing contemporary Chinese art. Also under scrutiny are this period's background, art phenomena, and artists' identity. Besides, art history, theory and criticism at all levels are touched upon thanks to the author's extensive reading. And the paper, too, offers an insight into the origins and developmental trends of China's contemporary art.

关 键 词：中国当代艺术 艺术界 艺术发展 艺术理论 艺术评论 作者 艺术家 艺术史 

分 类 号：J05[艺术—艺术理论]