《一句顶一万句》的小说与电影言说  

Different Narration Ways of One Sentence Worth Thousandsbetween Novel and Film

作　　者：周清叶[1,2] ZHOU Qing-ye(School of Arts and Histories Studies,Beifang University of Nationalities, Yinchuan,750021 ,Ningxia;School of Literature,Lanzhou University,Lanzhou,730000,Gansu)

机构地区：[1]北方民族大学文史学院,宁夏银川750021 [2]兰州大学文学院,甘肃兰州730000

出　　处：《蚌埠学院学报》2017年第5期49-52,共4页Journal of Bengbu University

基　　金：北方民族大学教育教学改革研究项目(2016JY0505)

摘　　要：将《一句顶一万句》的小说和电影进行对比研究,可以看出两种媒介所呈现的不同艺术景观以及各自优长。小说上下两部主题意蕴一以贯之,显示两部紧密为一体。电影截取下部为切入口,在保留原作创作精神的基础上充分展开。通过缩减、变形、新编故事情节、遵循"快乐主义"的视觉文化原则、利用电影独特的语言来表现主题。参考小说文本对电影言说方式进行研究,分析两种媒介所呈现的不同艺术景观及各自优长,有利于受众更好地把握作品的主题意蕴,有利于两种艺术形式互相取长补短。The two parts of the novel One Sentence Worth Thousands have a consistent artistic connotation,showing the two of which as closely as a whole.The film is fully developed with the lower part of the novel,retaining the original creation spirit.By reducing,deforming,creating new storylines,following the"hedonistic"visual cultural principles,and using the unique language of the film,the theme gaines a profound performance.Comparing the novel to the movie with visual criticism,it can be seen that the two kinds of medium present different landscapes and advantages,which is beneficial to the audience to better grasp the theme,and also to the two kinds of arts to form mutual complement each other.

关 键 词：刘震云 刘雨霖 《一句顶一万句》 小说文本 电影改编 

分 类 号：I561.074[文学—其他各国文学] J905[艺术—电影电视艺术]