潜在流浪者与忧郁栖居者——齐美尔笔下的现代人形象及其反思  

Latent Vagrant and Gloomy Dweller——Modern People Image Depicted by Simmel

作　　者：杨向荣 YANG Xiangrong(College of News and Media,Zhejiang Media University,Hangzhou 310018,China)

机构地区：[1]浙江传媒学院新闻与传播学院,浙江杭州310018

出　　处：《武陵学刊》2018年第2期108-113,共6页Journal of Wuling

基　　金：国家社会科学基金项目"齐美尔与法兰克福学派文艺理论的关联研究"(10CZW007)

摘　　要：在现代性的流动空间中,齐美尔以形而上学的悲情主义色彩,对现代人的生存质态从精神状态、生存空间和审美救赎等方面展开了深入独到的剖析。在现代人形象分析上,齐美尔所表达的现代性审美观念有着很强的现实穿透力:在他看来,现代人只有从都市空间中剥离出来,清醒地认识到资本主义的文化幻景并对其展开批判,才能最终走出文化困境,走向审美救赎之路。齐美尔对现代人形象的剖析旨在倡导一种审美立场,并以此呼唤一种审美之维,来帮助现代人走出生存困境,最终实现审美救赎。In the flowing space of modernity,with the pathos of metaphysics,Simmel makes deep and unique analysis of modern people's survival quality,such as mental state,living space,aesthetic redemption and so on.In the analysis of modernpeople's image,the aesthetic conception of modernity expressed by Simmel has a strong realistic penetrating power.In his view,only by spinning off from the urban space,and being keenly aware of the cultural mirage of capitalism and criticizing it,can the modern people go out of the cultural dilemma,finally go to the path of aesthetic redemption.The analysis of the image of the modern people aims at advocating an aesthetic standpoint,which calls for an aesthetic dimension to help modern people out of the plight of existence and finally realize the aesthetic redemption.

关 键 词：齐美尔 现代人 现代性 审美救赎 

分 类 号：I01[文学—文学理论] B83-0[哲学宗教—美学]