冀东非物质文化遗产唐山皮影的六个“少有”现象探讨  

On the Six Special Features of Tangshan Shadow Play

作　　者：崔琳[1] 宋一 吴迪[1] 张海燕[1] 李扬[1] Cui Lin;Song Yi;Wu Di;Zhang Haiyan;Li Yang(College of Art,Hebei Normal University of Science&Techonology,Qinhuangdao Hebei 066004,China)

机构地区：[1]河北科技师范学院艺术学院,河北秦皇岛066004

出　　处：《河北科技师范学院学报（社会科学版）》2018年第1期31-34,共4页Journal of Hebei Normal University of Science & Technology(Social Sciences)

基　　金：2016年河北省社会科学基金项目"基于京津冀区域文化背景下冀东非物质文化遗产唐山皮影的传承与保护对策研究"(HB16YS031)

摘　　要：唐山皮影具有独特的发展历史和典型的代表意义,它是中华传统文化不可分割的一部分。通过对唐山皮影"一戏多名"的文化内涵、"视觉+傀儡"的表演模式、剧情主题的正能量延续、"捏着嗓子"的独特发音方式六个"少有"现象进行论述,使人进一步了解唐山皮影艺术。The Tangshan shadow play is characterized with its unique development history and typical representative significance,it has become an inalienable part of Chinese traditional culture.it has six features:cultural connotations of multi-named play,visual+puppet performance mode,spreading positive energy of drama theme,and singing in falsetto.In this article,the author made an analysis on these characteristics of the Tangshan shadow play.

关 键 词：唐山皮影 少有 现象 

分 类 号：J827[艺术—戏剧戏曲]