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作 者:宋伟[1] Song Wei
机构地区:[1]东北大学艺术学院
出 处:《南京社会科学》2018年第4期113-121,共9页Nanjing Journal of Social Sciences
基 金:国家社科基金重大项目"马克思主义视域下的资本现代性与审美现代性问题研究"(13&ZD071)的阶段性成果
摘 要:长期以来,美学的哲学基础问题始终作为马克思主义美学研究中备受关注且充满争执的议题。美学研究中的若干重大分歧表明,对马克思哲学的不同阐释与理解,势必会导致不同的美学理论建构。因此,如何理解马克思哲学的理论实质与精神内涵,就成为当代美学理论建构中具有前提性意义的理论问题。问题的关键在于,如何突破以往相对固定的阐释模式与理论框架,重新阐释马克思哲学的思想史意义,进而重新阐释马克思美学的理论实质和精神旨趣。For a long time,the philosophical foundation of aesthetics has always been a subject of intense attention and full of contention in the study of Marxist aesthetics.Several major disagreements in aesthetic research indicate that different interpretations and understandings of Marx’s philosophy will inevitably lead to different construction of aesthetic theories.Therefore,how to understand the theoretical essence and spiritual connotation of Marxist philosophy has become a theoretical issue with precondition in the construction of contemporary aesthetic theories.The key to the issue lies in how to break through the relatively fixed interpretation model and theoretical framework in the past,and reinterpret the significance of the history of Marx’s philosophical thoughts,and then re-interpret the theoretical essence and spirit of Marxist aesthetics.
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