以笔为旗:《金牧场》中的神性与人性  

Taking the pen as the flag:the divinity and human nature in Golden Pasture

作　　者：祁泽宇 Qi Zeyu(College of Chinese Language and Literature,Guangxi Normal University,Guilin 541006,China)

机构地区：[1]广西师范大学文学院新闻与传播学院,广西桂林541006

出　　处：《安顺学院学报》2018年第3期37-41,共5页Journal of Anshun University

摘　　要：张承志是中国当代屈指可数的拥有坚定信仰的个性作家,《金牧场》作为最具诗化风格的代表作,影响了一代又一代青年读者。小说一方面呼唤神性,另一方面又歌颂人性。作者运用双线并行的结构方式对神性、人性的刻画与迷失进行对比,通过对生命的追寻实现自我救赎,使得该书成为新时期文学中不朽的名篇。Zhang Chengzhi is one of the few contemporary individual writers with firm beliefs in China.Golden Ranch is the most poetic style masterpiece and has influenced generations of young readers.The novel calls for divinity as well as praises human nature.The author uses a two-line parallel structure to compare the divinity and human nature with the loss and to realize the self-redemption through the pursuit of life.All of this made the book become an immortal classic in the literature of the new era.

关 键 词：张承志 《金牧场》 以笔为旗 神性 人性 

分 类 号：I207.67[文学—中国文学]