“歌谣运动”中的歌谣研究与新诗创作——以朱自清为中心  

Ballad Research and New Poetry Creation in “Ballad Movement”——Oriented by Zhu Ziqing

作　　者：牟学苑[1] 张亚君 Mou Xueyuan;Zhang Yajun(School of Art and Literature,Shihezi University,Shihezi 832003,China)

机构地区：[1]石河子大学文学艺术学院,新疆石河子832003

出　　处：《学术交流》2018年第8期152-158,共7页Academic Exchange

摘　　要："歌谣运动"从一开始就包含着"文艺的"和"学术的"两种诉求。作为新诗创作者的朱自清一直从"文艺的"角度进行歌谣研究,试图将歌谣作为新诗创作的资源。但在研究中朱自清逐渐走向自己的反面,否定了新诗创作与歌谣之间的联系。朱自清的这种探索与转变过程是"歌谣运动"的一个缩影,对于理解"歌谣运动"的机制和进程有着重要的参考价值。"Ballad Movement"contains two kinds of appeals for"art"and"scholarship"from the beginning.As a poet of new-type poems,Zhu Ziqing has been studying ballads from the perspective of"literature and art",trying to use ballads as the resources of new poetry creation.But in the study,Zhu Ziqing gradually turned to his own negative side,denying the connection between the creation of new poetry and ballads.Zhu Ziqing's exploration and transformation process is a microcosm of the"ballad movement",which has important reference value for understanding the mechanism and process of the movement.

关 键 词：歌谣运动 歌谣研究 新诗创作 朱自清 

分 类 号：I206.6[文学—中国文学]