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作 者:刘方喜[1] Liu Fangxi
机构地区:[1]中国社会科学院文学研究所,研究员北京100732
出 处:《中国文学批评》2018年第4期24-33,155,共11页Chinese Journal of Literary Criticism
摘 要:从改革开放40年来我国生产力和生产关系发展史的角度,可以反思有关文艺意识形态、上层建筑、艺术生产等问题研究的成绩和不足。其基本经验是:坚持文艺发展的社会主义方向,在思想观念上不否认非意识形态性的同时要坚持文艺的意识形态性,在发展方式上采用生产性方式的同时要重视文艺非生产性方式对人的全面发展的促进。中国特色社会主义进入新时代,新技术正在锻造新的生产方式,社会主义生产关系的优越性必将更充分地发挥出来,坚持文艺发展的社会主义方向也将获得越来越坚实的基础。From the historical perspectives of the productive forces and productive relations during the past 40 years,we can reflect on the achievements and shortcomings of studies of literary ideology,superstructure and art production.The basic tenets are adhering to the socialist direction of the development of literature and art on the one hand,and the ideology of literature and art without denying the non-ideological aspect on the other hamd;then adopting the perspective of productivity and paying attention to the non-productive mode of literature and art and its effect on the promotion of comprehensive development of human being.As the socialism with Chinese characteristics has entered a new era,and new technologies are forging new ways of production,the superiority of socialist production relations will surely be more fully actualized,and there will be a more solid foundation for the development of literature and art in the socialist direction.
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