以戏剧传播研究探究民族记忆内化的脉络——评郭玉华《中国四大民间传说的戏剧传播研究》  

Study of Drama Communication to Explore the Context of the Internalization of National Memory: Comments on Drama Propagation of the Four Major Folk Legends in China by Guo Yuhua

作　　者：潘超青[1] PAN Chao-qing(Institute of Overseas Education,Xiamen University,Xiamen Fujian361005,China)

机构地区：[1]厦门大学海外教育学院,福建厦门361005

出　　处：《廊坊师范学院学报（社会科学版）》2018年第4期126-128,共3页Journal of Langfang Normal University(Social Sciences Edition)

摘　　要：郭玉华《中国四大民间传说的戏剧传播研究》一书是第一部系统研究中国四大民间传说戏剧改编与传播的专著,在从民间传说到戏剧的转换和传播的立体模式方面做出了新的探索。一是建基于四大民间传说的庞大改编戏剧文本群,研究传说与戏剧的转换机制;二是以民间传说的故事素为研究基点,分析主体对故事素的选择组合、冲突的设置、叙事策略与形象调整,呈现时空传播中戏剧的不同样态;三是立足戏剧主题的演变,探寻传播与功能教化的内在关联。这一研究试图阐释戏剧传播的效应机制,并研究戏剧作为中介如何将传统民间记忆转化为优秀民族文化的血脉,具有较高的理论和实践价值。The book Drama Propagation of the four major folk legends in China by Guo Yuhua is the first monograph to systematically study the adaptation and dissemination of drama in China's four major legends.He has made a new exploration into the three-dimensional model of the folk legend to the drama transformation and transmission.First is the study of legends to drama transformation mechanism based on the huge drama text group adaptation of the four legends.The second is to take the story elements of folklore as the basis for the analysis of the subject's choice of story elements,conflict settings,narrative strategies and image adjustment,showing the different forms of drama in space-time communication.The third is to explore the intrinsic relation-ship between communication and functional indoctrination based on the evolution of the theme of drama.This study tries to explain the effect mechanism of theatrical communication,and studies how drama,as an intermediary,transforms traditional folk memory into the blood of excellent national culture,which will have high theoretical and practical value.

关 键 词：中国四大民间传说 戏剧 传播 优秀文化 

分 类 号：I207.3[文学—中国文学]