重塑“华亭鹤唳”:晋宋两朝的现实语境与历史追叙  

How to Retell the Story about “the Red-crowned Crane's Call in Huating” Nostalgia,or Realistic Context and Historiography

作　　者：王尔阳[1] WANG Er-yang

机构地区：[1]南京大学文学院

出　　处：《华侨大学学报（哲学社会科学版）》2018年第6期105-114,共10页Journal of Huaqiao University(Philosophy & Social Sciences)

摘　　要：叙事文学作者自身的立场、视角、思想、风格,常常在剪裁和拼接素材的过程中得到体现。如果所写对象是历史事实,这些作者主观能动性的表现,则很可能破坏史家叙事"直书"的传统。身处晋宋之际,谢灵运将自己的身世与情感,代入笔端与之遭际似是而非的陆机形象,以其经典作家的才华和地位,彻底扭转"华亭鹤唳"一典的内涵,流传至今。以此切入探索六朝时期文史的分界与社会功能,当能有所启发。A author’s standpoint,perspective,thought and style are often reflected in the process of tailoring and splicing the material.If the objects are historical facts,the subjective initiative of these authors is likely to destroy the tradition of historians’narration called“straightly writing”.In the Jin and Song Dynasties,Xie Lingyun,as a classical writer spanning two dynasties of Jin and Song,expressed his life experience and emotions with the paradoxical image of Lu Ji in his writing and completely reversed the connotation of the classic“the Red-crowned Crane’s Call in Huating”,which has been handed down to the present day.In this way,we can explore the boundaries and social functions of the literature and history of the Six Dynasties.

关 键 词：陆机 谢灵运 历史书写 六朝 《晋书》 

分 类 号：I206.2[文学—中国文学] K235[历史地理—历史学]