接受美学和中国化的文学接受史范式  

Reception Aesthetics and Chinese Style Paradigm of History of Literary Reception

作　　者：文浩[1] Wen Hao(College of Liberal Art,Hunan Normal University,Changsha 410081,China)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《湘南学院学报》2018年第6期47-51,共5页Journal of Xiangnan University

基　　金：2018年度国家社会科学基金重大项目"中国特色文学理论建构的历史经验研究"(18ZDA278)

摘　　要：新时期以来,接受美学和广义的"重写文学史"学术浪潮发生交融互动。姚斯的接受之维帮助中国的文学史研究者调和文学历史性和审美性之间的矛盾。基于此,中国化的文学接受史范式针对旧有文学史格局实现了重要的转向,并成为新时期中国特色文论建构的重要成果。中国学人对中国化的文学接受史范式提出三种重要阐释并大胆实践,形成书写实践共识和未来展望。Reception Aesthetics and the academic trend of generalized"rewriting literary history"have interacted since new period.Jauss'acceptance dimension helps Chinese researchers engaging in literary histo?ry to reconcile the contradiction between literary historicity and literary aesthetic character.Based on this,Chinese style paradigm of history of literary reception has realized an important turn according to old pattern of literary history,which has become an important achievement in the establishment of literary theory with Chinese characteristics in new period.The Chinese scholars put forward three important interpretations,practi?cing boldly on Chinese style paradigm of history of literary reception.They have reached agreement with writing practice and future prospect.

关 键 词：中国特色文论 文学接受史 文学历史性 文学审美性 

分 类 号：I01[文学—文学理论]