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作 者:梁恬 LIANG Tian(Shaoyang University,Shaoyang 422000,China)
机构地区:[1]邵阳学院,湖南邵阳422000
出 处:《邵阳学院学报(社会科学版)》2018年第6期99-105,共7页Journal of Shaoyang University:Social Science Edition
基 金:国家社会科学基金重点项目"世界华文微型小说百家创作年谱"(18AZW024);湖南省社会科学基金项目"当代华文微型小说名家创作年谱"(16YBB019)
摘 要:《世说新语》作为一部古代意义上的"小说",在人物审美方面相较于此前取得了很大的突破与成就。受到魏晋玄学清谈与人物品藻风气的影响,其对人物进行了全方位的审美,不仅使人物美脱离了道德伦理和政治,还形成了一种多元化、独立的人物审美观。将《世说新语》中所表现出的人物美与微型小说的人物论相联系,一方面是《世说新语》中有着大量刻画人物形象的故事,这与注重人物形象的微型小说十分契合,另一方面从体式取材、艺术构思、语言文字等方面看,大多都与微型小说在人物言行刻画方面有着相似点。Shih-shuo Hisn-yu,as an ancient novel,makes a great breakthrough and achievement in terms of humanity aesthetics.As it has been influenced by the characters and metaphysical talk atmosphere since the late Han Dynasty,the work embodies an all-round humanity aesthetics.It enables the characters to abandon the political and moral aesthetics and forms a diversified and independent humanity aesthetics.The paper correlates the beauty in the creation of characters in Shih-shuo Hisn-yu and the theory of characters in mini-novels.On one hand,Shih-shuo Hisn-yu teems with lots of stories focusing on the depiction of personalities,which is identical to the modern mini-novels which highlights character images.On the other hand,there are a lot of similarities in the depiction of the characters speech and behavior in terms of form and material,artistic conception and language in Shih-shuo Hisn-yu and mini-stories.
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