寂寞的锣鼓:社会学视角下的江西农村曲艺保护与发展  

"Lonely" Gongs and Drums: Protection and Development of Rural Drama Art in Jiangxi Province from the Perspective of Sociology

作　　者：郑庆杰[1,2] 卫玉栋 ZHENG Qingjie;WEI Yudong(History Culture and Tourism School,Gannan Normal University, Ganzhou 341000, China;Social Development Research Center,Gannan Normal University, Ganzhou 341000, China)

机构地区：[1]赣南师范大学历史文化与旅游学院,江西赣州34100 [2]赣南师范大学社会发展研究中心,江西赣州34100

出　　处：《赣南师范大学学报》2019年第1期25-35,共11页Journal of Gannan Normal University

基　　金：江西省艺术规划项目(YG2013098);国家社科基金项目(15BSH102)

摘　　要："乡村振兴战略"提出要繁盛农村文化,这为江西农村的民间曲艺保护与发展提供了富有想象空间的发展契机。农村曲艺作为中华优秀传统文化的组成部分,无论是艺术价值还是社会功能,都亟待加强保护传承。研究认为,农村曲艺嵌入在政府推力、市场拉力、社会活力所构成的结构性框架之中,在各种不同要素组合的约束中,完成农村曲艺的生产、供给和消费。基于不同的生产供给主体和需求主体、差异性的传播和消费模式,需要探索多元化保护与发展路径。The strategy of rural vitalization proposes to prosper rural culture, which provides a promising opportunity for the protection and development of drama art in the rural areas of Jiangxi province. Rural drama art is an integral part of China's excellent traditional culture, and both its artistic value and social function, are of great significance. The study believes that rural drama art is embedded in the structural framework of government dominance, market promotion and social vitality, and completes its production, supply and consumption in the constraints of various combinations of factors. Due to different production supply and demand subjects, diversified communication and consumption patterns, it is necessary to explore diversified paths of protection and development .

关 键 词：农村曲艺 保护与发展 社会学视角 

分 类 号：J026[艺术—艺术理论]