作为批评者的余华及其文论  

Yu Hua as a Critic and His Literary Theory

作　　者：王迅[1,2] WANG Xun(Department of Chinese,Zhejiang University,Hangzhou Zhejiang 310058;Guangxi Federation of Literary and Art Circles,Nanning Gnangjd 530023)

机构地区：[1]浙江大学中文系,浙江杭州310058 [2]广西文联文研室,广西南宁530023

出　　处：《贺州学院学报》2018年第4期105-109,共5页Journal of Hezhou University

摘　　要：作为当代著名小说家,余华一直以先锋姿态走在当代小说创作前列。但文学批评者的余华,似乎很少被学术界所关注。余华的阅读随笔、音乐随笔、序跋和评论,从鉴赏者或写作者的角度对大师们的经典作品进行颇富意味的解读,这种解读既流露出痴迷、激越的情绪,又不乏冷静和深沉的思索。余华的批评不是那种学术性很强的一本正经的"学者型"评论,而往往是以一个写作者的身份和视角去探讨作家与作品及现实的复杂联系,通过随意、感性而又字字珠玑的语言,呈现出丰盛的视觉景观和感觉盛宴,充分显示了其评论的"作家型"风格。As a famous contemporary novelist,Yu Hua has always been at the forefront of contemporary novel creation with a pioneering attitude.But Yu Hua,as literary critic,seems to be seldom concerned by the academic community.Yu Hua’s reading essays,music essays,prefaces and comments,and interpretations of the classics from the perspective of the appreciator or writer,are revealing not only his obsessions and agitated emotions,but also his cool and deep thoughts.Yu Hua’s criticism is not a kind of scholarly commentary that is very academic.It is often based on the identity and perspective of a writer to explore the complicated connection between the writer,the work and the reality.The language,which presents a rich visual landscape and feast of feelings,fully demonstrates the"writer-style"style of its commentary.

关 键 词：余华 先锋 文学批评 写作者 

分 类 号：I06[文学—文学理论]