简论西方文学批评中诠释范式的转移  

On the Interpretative Paradigm Shifts in Western Literary Criticism

作　　者：崔芳芳[1] CUI Fangfang(School of Foreign Languages, Anhui Agricultural University, Hefei 230036, China)

机构地区：[1]安徽农业大学外国语学院,安徽合肥230036

出　　处：《淮海工学院学报（人文社会科学版）》2019年第2期51-53,共3页Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)

摘　　要：20世纪的文学理论颠覆了以往的文学批评,从传统的以作者为中心,到20世纪上半叶以文本为中心,再到中后期以读者为中心,最后到了世纪末对如何诠释的争论,这些都使文学理论本身走向了文学研究舞台的中心。基于艾布拉姆斯关于艺术作品"四因素"说,通过对20世纪西方文学理论的研究,清楚呈现出西方文学批评中诠释范式的转移,并通过对读者角色转变的研究表明了诠释范式转移的轨迹。Literary theory in the 20th century subverted the previous literary criticism, from the traditional author-centered to the text-centered in the first half of the 20th century, then to the reader-centered in the middle and later stages, and finally to the end of the century, the debate on how to interpret, all of which made literary theory itself become the center of literary research stage. Based on Abrams’ theory of “four factors” in artistic works, through the study of western literary theory in the 20th century, the shift of interpretative paradigm in western literary criticism is clearly presented, and the track of the shift of interpretative paradigm is shown through the study of the change of reader’s role.

关 键 词：西方文学批评 “四因素” 范式 诠释 读者 

分 类 号：I06[文学—文学理论]