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作 者:程兴丽[1] CHENG Xing-li(School of Liberal Arts, Shaanxi University of Technology, Hanzhong723000, Shaanxi, China)
出 处:《兰州文理学院学报(社会科学版)》2019年第1期125-128,共4页Journal of Lanzhou University of Arts and Science(Social Science Edition)
基 金:2013年度国家社会科学基金青年项目"魏晋南北朝<尚书>学文献整理与研究"(13CZW029)
摘 要:魏晋南北朝时期,音义学十分发达,就《尚书》而言,这一时期见于记载的音义学专著共有六人六书:徐邈《古文尚书音》、李轨《古文尚书音》、刘昌宗《尚书音》、刘芳《王肃所注尚书音》、王俭《尚书音义》、陆德明《尚书音义》。在对此六人生平及相关文献资料的考证基础之上,不难看出魏晋南北朝时期《尚书》音义与玄学弱化及佛教传布的互动关系。In the Wei, Jin and Southern and Northern Dynasties, phonosemantics was well developed. As far as Shangshu was concerned, there were six monographs on phonosemantics recorded in this period: Xu Miao’s Ancient Literature and Sound of Shangshu , Li Gui’s Ancient Literature and Sound of Shangshu , Liu Changzong’s Sound of Shangshu , Liu Fang’s Notes on Sound of Shangshu by Wang Su , Wang Jian’s Sound and Meaning of Shangshu and Lu Deming’s Sound and Meaning of Shangshu . Based on the research on the life of the six people and related literatures, it is not difficult to see the interaction between the sound and meaning of Shangshu and the weakening of metaphysics and the spread of Buddhism during the Wei, Jin and Southern and Northern Dynasties.
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