从《青楼集》中所看到的元代士伎交流  

Exchange of Scholars and Geishas in Yuan Dynasty According to the Collection of Qinglou

作　　者：刘笑岩[1] Liu Xiaoyan

机构地区：[1]西华师范大学音乐学院

出　　处：《兰台世界》2019年第4期145-149,共5页Lantai World

基　　金：四川省教育厅2015年科研项目(15SB0093)

摘　　要：从人类学视角出发,结合夏庭芝《青楼集》相关内容,以元代士人与歌伎文化交流活动为研究对象,揭示以往存在等级和身份阈限的两大群体,在元代特殊历史背景条件下进行艺术交流的原因,进而给予元代通俗音乐文化繁荣以重新诠释。From the perspective of anthropology, combined with the relevant contents of Xia Tingzhi's Collection of Qinglou, the cultural exchange between scholars and geishas in Yuan Dynasty is taken as the research object. The reason of artistic exchange between two human groups with quite difference in hierarchy and identity under special historical background of Yuan Dynasty was given, explaining the prosperity of popular music culture in Yuan Dynasty.

关 键 词：士人 歌伎 性别整体论 元杂剧 散曲 

分 类 号：J809.9[艺术—戏剧戏曲]