民族地区跨文化艺术折射的心理反映  

The Mental Reflection of the Cross-cultural Refraction in the Minority Areas

作　　者：袁月[1] 吴永强[1] YUAN Yue;WU Yong-qiang(College of Fine Arts, Sichuan University, Chengdu, Sichuan, 61000(), China)

机构地区：[1]四川大学艺术学院,四川成都610000

出　　处：《贵州民族研究》2019年第1期72-75,共4页Guizhou Ethnic Studies

摘　　要：少数民族传统文化的游牧性对自然性的排斥,导致民族传统艺术在"形美"与"意韵"的构建中难以实现原生态的情感流露,民族地区文化艺术与艺术文化截然对立,民族艺术的思维情感定势逐渐变异。因此,以民族艺术的时空维度为契机,以淳朴的民族艺术心理粘合"形美"与"意韵",成为跨文化视域下民族艺术发展的必然趋势。The nomadic and natural exclusiveness of minority traditional culture lead to the difficult realization of original emotion in the construction of " beauty in form" and" artistic rhyme".Arts and culture in ethnic areas is dramatically opposed to art culture in ethic areas, and the mental and emotional set is gradually mutated. Therefore, it is an inevitable trend for the development of minority art to bond"beauty in form"and"artistic rhyme"through the simplicity of ethnic art psychology from cross-cultural perspective.

关 键 词：民族艺术 跨文化视域 时空维度 心理情感 

分 类 号：J193[艺术—艺术理论]