狄德罗艺术批评的当代启示  

Inspiration of Diderot's Art Criticism to the Contemporary Era

作　　者：杨杰[1] Yang Jie

机构地区：[1]晋中学院美术学院

出　　处：《天津美术学院学报》2018年第1期102-105,共4页Northern Art:Journal of Tianjin Academy of Fine Arts

基　　金：晋中学院"1331工程"创客团队:当代艺术实践与理论研究创客团队;项目编号:jzxycktd2018019

摘　　要：狄德罗艺术批评处于现代艺术批评的滥觞阶段,狄德罗也被认为是现代艺术批评的开创者之一。狄德罗的艺术批评体现了启蒙时期理性务实的批评精神,反倒比今天套用哲学术语或是生搬硬套艺术理论的艺术批评更具洞察力。狄德罗艺术批评的可贵之处,正是今天艺术批评最为缺失的部分。尽管今天艺术的形态以及艺术批评发生了巨大的变化,但是,狄德罗的艺术批评依然对当下艺术批评的发展有重要的作用。作者从狄德罗艺术批评的两个方面的特质入手,首先,直接面对作品有效构建批评话语,其次,在直觉和观念之间构建新的价值,探讨狄德罗艺术批评在当代的价值。Diderot’s art criticism was at the budding stage of modern art criticism, and Diderot himself is acknowledged as one of its founders. His criticism which suggests rationality and practicability in the Age of Enlightenment is more insightful than today’s art criticism characterized by using indiscriminately philosophical terms and applying mechanically art theories. What is the most valuable in Diderot’s art criticism is exactly what is missing in art criticism of today. Despite dramatic changes that have taken place in art criticism nowadays, his art criticism is still of significance to the development of contemporary art criticism. Despite dramatic changes in art form since his day, his criticisms remain beneficial to contemporary art criticism. The author seeks to address the contemporary significance of Diderot’s criticism in light of its two features: constructing critical discourse by directly facing works, and constructing new values between intuition and concepts.

关 键 词：狄德罗 直觉 观念 艺术批评 启蒙思想 

分 类 号：J05[艺术—艺术理论]