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作 者:朱银花 刘红麟[1] ZHU Yin-hua;LIU Hong-lin(College of Chinese Language and Literature,Hunan Institute of Science and Technology,Yueyang,Hunan,414006)
机构地区:[1]湖南理工学院中国语言文学学院,湖南岳阳414006
出 处:《贵州师范学院学报》2018年第11期15-19,共5页Journal of Guizhou Education University
基 金:国家社科基金项目"晚清士文化与词学蜕变"(14BZW078)
摘 要:易顺鼎后天的创伤经验以及羸弱的个性气质,使其自觉地接受了悲秋原型的滋养,生成了浓烈的悲秋情结,在其词中主要表现为秋士之悲和羁孤之思。这种深沉的生命体验,既承续了悲秋传统,又相应地发生了变异。因为易顺鼎对秋的深度契合,悲秋成为一种先入体验,突破了时空枷锁,四时皆可悲,不必秋可。秋在其笔下甚至绵延成为日常意绪,体现出象征化、普泛化的特征,极大地影响了其词的艺术风貌。The combination of post-traumatic experiences and an inborn temperament of weakness have made Yi Shunding consciously accept the nourishment of the melancholy autumn archetype and form a strong autumn complex.In his Ci poetry,it mainly shows his sorrow of aging with his unrecognized talents and travelling lonely.His profound life experience not only inherits the tradition of the autumnal melancholy,but also changes accordingly.Because Yi Shunding has deep feelings for autumn,his first impression towards autumnal melancholy is firmly entrenched.His autumnal melancholy complex is no longer confined to autumn only but shows in four seasons.In his poetry,autumn even becomes a frequent image containing symbolic and multiple meanings,which greatly influences the artistic style of his Ci poetry.
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