走向艺术自我弱化的经典剧《雷雨》——以“季刊本”“开明本”“戏剧本”的修改为例  

Thunderstorm—An Classic Drama Moving towards Its Art Self-weakening——A Case Study of the Revision of the “Quarterly Edition”, “the Enlightened Edition” and “the Drama Edition”

作　　者：梁建先[1] LIANG Jian-qian(College of Liberal Arts, Jinan University, Guaagzhou 510632 China)

机构地区：[1]暨南大学文学院,广东广州510632

出　　处：《海南师范大学学报（社会科学版）》2019年第2期8-15,共8页Journal of Hainan Normal University(Social Sciences)

基　　金：国家社科基金重点项目"新文学伦理叙事研究"(项目编号:18AZW021)的阶段性成果

摘　　要：《雷雨》在《文学季刊》上发表后,便受到热捧并迅速被推到前台,它以其强大的艺术生命,在话剧史上成为了一部不可多得的经典作品。然而,仔细对照初刊的《雷雨》和后来的其他版本,发现改动范围相当之大。文章通过选取有代表性的"季刊本""开明本"与"戏剧本"进行版本对读,发现《雷雨》在处理故事情节、人物形象以及思想主题上走向了一个趋势,即在逐步强化了它作为意识形态经典的同时,却弱化了它作为审美艺术的文学经典存在。After its publication in Literature Quarterly, Thunderstorm was popular and quickly pushed to the forefront, and it soon became a rare classic in the history of drama by virtue of its powerful artistic life. However, a careful comparison of the first edition of Thunderstorm and other later editions reveals that the scope of the changes is considerable. By selecting and comparing representative versions of the "Quarterly Edition", the "Enlightened Edition" and the "Drama Edition", it is found that Thunderstorm has demonstroted a trend in its treatment of the plot, characters and ideological themes. That is, while gradually strengthening it as an ideological classic, it has weakened its existence as a literary classic of aesthetic art.

关 键 词：《雷雨》 "季刊本" "开明本" "戏剧本" 艺术弱化 

分 类 号：I206.6[文学—中国文学]