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作 者:任竞泽[1,2] REN Jing-ze(College of Arts,Shaanxi Normal University,Xi'an 710119,China;Shaanxi Cultural Resources Development Collaborative Innovation Center,Shaanxi Normal University,Xi'an 710119,China)
机构地区:[1]陕西师范大学文学院,陕西西安710119 [2]陕西师范大学陕西文化资源协同创新中心,陕西西安710119
出 处:《西南交通大学学报(社会科学版)》2019年第3期16-23,共8页Journal of Southwest Jiaotong University(Social Sciences)
基 金:国家社会科学基金重大招标项目"中国古代文体观念文献整理与研究"(18ZDA236);陕西省社会科学基金一般项目"唐代文体批评研究"(2018J05)
摘 要:被誉为"词中老杜"的周邦彦之所以取得如此大的成就,与北宋以欧阳修、黄庭坚为代表的文体批评兴盛的文学思潮有极大关系。通过辑录检视自宋以来历代批评家关于周邦彦以词为主的文学创作评论文献,可以发现周邦彦的文体学思想较为系统,包括辨体尊体论、破体变体论、以诗为词论、偏长某体与兼备众体论、文体源流论等。这与杜甫、黄庭坚及欧阳修、陈师道的相关文体观都有很大关联,如杜甫"以诗为文"和"以文为诗"的文体观就对周邦彦的"以诗为词"创作理念产生影响,而周邦彦的兼备众体说亦与杜甫和黄庭坚的相关文体集成论等有直接关系。周邦彦的文体论是宋代文体学思想的重要组成部分,值得深入研究。Zhou Bangyan,known as“Du Fu in the realm of Ci”,made such great achievements because of the flourishing literary trend of thought represented by Ouyang Xiu and Huang Tingjian in the Northern Song dynasty.Through collecting and examining the literature on Zhou Bangyan’s literary creation since Song Dynasty,it can be found that Zhou Bangyan’s stylistic thoughts are relatively systematic,including the theory of distinguishing style and respecting style,the theory of breaking style and variation style,the theory of taking poetry as Ci,the theory of partial length of a certain style and of being good at many styles,the theory of stylistic origin and flow,etc.This is closely related to the stylistic views of Du Fu,Huang Tingjian,Ouyang Xiu and Chen Shidao.For example,Du Fu’s stylistic view of“taking poetry as prose”and“taking prose as poetry”has an impact on Zhou Bangyan’s creation idea of“taking poetry as Ci”,and Zhou Bangyan’s theory of both styles is directly related to the stylistic integration theory of Du Fu and Huang Tingjian.Zhou Bangyan,s stylistic theory is an important part of the thought of stylistics in Song Dynasty,and it is worth further study.
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