从神坛跌落的白居易——从《苕溪渔隐丛话》反观宋代白居易诗学地位的变化  

On the Declination of Bai’s Literary Status in the Song Dynasty

作　　者：廖雯 LIAO Wen(College of Chinese Language and Literature,Henan University,Kaifeng 475000,Henan,China)

机构地区：[1]河南大学文学院

出　　处：《安康学院学报》2019年第3期21-24,共4页Journal of Ankang University

摘　　要：宋代是白居易论大变革的时代,宋初“白体”诗人的出现以及大量承袭前代颂白的评论,将白居易的诗学地位推向了北斗之尊的高度,然而随着北宋中期的文人克服唐代地域,开展创新宋诗的探索以及去俗尚雅的美学追求的盛行,使得古典诗论家争相指摘白诗的弊端——“白俗”。在这样的境遇下,白居易的诗学地位一落千丈。本文主要以胡仔的《苕溪渔隐丛话》为着眼点,分析宋代白居易诗学地位的起伏变化并探究其深层原因。The Song Dynasty is the era of the great change of Bai Juyi,and the emergence of the“white body”poets in the early Song Dynasty and the great deal of the comments made by the previous generations of the Song Dynasty pushed the position of Bai Juyi’s poetic position to the height of the father of the North,however,with the literati in the middle of the Northern Song Dynasty overcome the region of the Tang Dynasty. The exploration of the creative and the Song poetry and the popular of the aesthetic pursuit of the vulgarity have made the classical poetry writers scramble to refer to the abuse“white-custom”of the white poems. In such a situation,Bai Juyi’s poetic position is falling. This paper focuses on Hu Zai’s Tiaoxi Yuyin Series,analyzes the ups and downs of Bai Juyi’s poetics status in Song Dynasty and probes into its deep caused.

关 键 词：宋代 白居易 诗学地位 《苕溪渔隐丛话》 

分 类 号：I206.2[文学—中国文学]