设计人类学的视野和实践  

Vision and Practice of Design Anthropology

作　　者：关晓辉[1] GUAN Xiaohui

机构地区：[1]华南农业大学艺术学院

出　　处：《艺术探索》2019年第3期125-128,共4页Arts Exploration

摘　　要：在改造未来和研究人类行为的驱力之下,设计学与人类学被放在同一论域之内。设计人类学采用设计学创新和改造的手段,加以人类学民族志研究方法,构成跨领域的合作。设计人类学实践始于20世纪80年代,主要应用于人机互动和协同设计的用户行为分析。90年代民族志方法被引入工业设计,大型设计机构利用民族志的调查手段辅助产品设计。设计和人类学的融合趋势在21世纪初期持续上升,其成果集中于以用户为中心的商业设计。从实践论角度来看,设计人类学属于一种新的"认知风格",旨在认识和改造人类的未来。Under the drive of transforming the future and studying human behavior, design and anthropology are placed in the same domain. Design anthropology adopts the means of innovation and transformation of design science and ethnographic research methods to form interdisciplinary cooperation. Practice of design anthropology began in the 1980 s and mainly applied to user behavior analysis of human-computer interaction and collaborative design. Ethnographic methods were introduced into industrial design in the 1990 s, and large design institutions used ethnographic survey methods to assist product design. The convergence of design and anthropology continued to rise in the early 21 st century, with results focused on user-centered commercial design. From the perspective of practical theory, design anthropology belongs to a new style of cognition, which aims at understanding and transforming the future of mankind.

关 键 词：设计 人类学 交汇 实践 认知风格 

分 类 号：J0[艺术—艺术理论]