论中国书法与传统音乐的艺术共通性——以《兰亭序》及《汉宫秋》为例  

Artistic Commonality between Chinese Calligraphy and Traditional Music——Taking the Orchid Pavilion and Autumn in Han Palace as Examples

作　　者：柴帅[1] CHAIShuai

机构地区：[1]中国音乐学院

出　　处：《浙江艺术职业学院学报》2019年第1期122-128,共7页Journal of Zhejiang Vocational Academy of Art

摘　　要：中国书法与传统音乐有着共同的文化渊源和文化依托,展现了传统艺术“尊天、远神、重人”的文化取向,体现了人在理想、道德、情操、信念、审美、价值等方面的精神追求。晋代王羲之书法作品《兰亭序》是中国书法史上的奇迹,千百年来无人企及,而距今久已的琴曲《汉宫秋》又名《汉宫秋月》,以其超越旋律之外的幽幽神韵,让人领略到中国传统音乐的玄妙精深。行书《兰亭序》与琴曲《汉宫秋》,从中国书法与传统音乐之间有形与无形的交织,韵律与节奏的融合,色彩与声音的转换,人文精神的共通,探寻中国书法与传统音乐的艺术共通性,体味二者之间深邃、悠远的想象空间和品位空间。中国传统艺术需要人文精神的滋养,人文精神就是传统艺术的灵魂所在。Chinese calligraphy and traditional music have common cultural origin and cultural support, showing the cultural orientation “respect for heaven,far god,value people” of the traditional art, and reflecting people’s spiritual pursuit in the ideal, morality, sentiment, faith, aesthetics, value and other aspects. The calligraphy work of Wang Xizhi in the Jin dynasty the Orchid Pavilion is a miracle in the history of Chinese calligraphy. The ancient guqin music Autumn in Han Palace ,also known as Autumn Moon in Han Palace , embraced the mysterious essence of Chinese traditional music with its fascinating charm beyond the melody. The running script the Orchid Pavilion and the guqin music Autumn in Han Palace ,share the artistic commonality of Chinese calligraphy and traditional music,from the tangible and intangible interweaving between Chinese calligraphy and traditional music, the integration of rhythm and melody, the conversion of color and sound, and the commonality of human spirit. Traditional Chinese art needs the nourishment of humanistic spirit,and humanistic spirit is the soul of traditional art.

关 键 词：中国书法 传统音乐 古琴 《兰亭序》 《汉宫秋》 

分 类 号：J292.1[艺术—美术]