谢林前期哲学的悲剧理论  

Theory of tragedy in Schelling’s early philosophy

作　　者：姜学斌[1] JIANG Xue-bin(Heilongjiang University,Harbin 730070,China)

机构地区：[1]黑龙江大学

出　　处：《云南大学学报（社会科学版）》2019年第4期21-28,共8页The Journal of Yunnan University:Social Sciences Edition

基　　金：国家社会科学基金青年项目“20世纪初叶以来苏俄文化观的演变及其启示”(项目号:12CZX003)

摘　　要：同一哲学是自然哲学和先验哲学的绝对综合,它代表了谢林前期哲学体系的最高成就。基于同一哲学的成熟理论以及对古希腊悲剧的认知,谢林形成了自己的悲剧观:悲剧诞生于自由与必然的冲突,结束于二者的和解。谢林悲剧理论的实质是一种悲剧哲学,先验唯心论从历史的视角初步展示了悲剧产生的根源;同一哲学体系建立以后,悲剧理论成为艺术哲学构建的重要内容,表明了艺术与历史哲学的内在关联,进一步论证自由和必然的同一性问题。The philosophy of identity is the absolute integration of natural philosophy and transcendental philosophy,which represents the highest achievement of Schelling's early philosophical system.On the basis of the mature philosophy of identity and Greek tragedy,Schelling formed his own view of tragedy:tragedy was born in the conflict between freedom and necessity,and ended in the reconciliation between them.The essence of Schelling's theory of tragedy is a philosophy of tragedy.Transcendental idealism reveals the origin of tragedy from a historical perspective.After the establishment of the philosophy of identity,the theory of tragedy has been an important part of the philosophy of art,which reveals the intrinsic relationship between art and the philosophy of history,and further demonstrates the identity of freedom and inevitability.

关 键 词：悲剧 自由 必然 同一性 

分 类 号：B516.34[哲学宗教—外国哲学]